Prince of Persia: The Sands of Time
11 Nov 2003
All releases
18 Nov 2003 - Nintendo GameCube
20 Feb 2004 - Nintendo GameCube
02 Dec 2003 - PC (Microsoft Windows)
05 Dec 2003 - PC (Microsoft Windows)
21 Nov 2008 - PC (Microsoft Windows)
11 Nov 2003 - PlayStation 2
21 Nov 2003 - PlayStation 2
02 Sep 2004 - PlayStation 2
16 Nov 2010 - PlayStation 3
11 Nov 2003 - Xbox
20 Feb 2004 - Xbox
Tags
Time to beat
Main story
Main story + extras
100% completion
Prince of Persia: The Sands of Time is a third-person puzzle-platformer and action-adventure computer and video game published by Ubisoft. It is a reboot of the landmark video game series Prince of Persia created by Jordan Mechner, who served as creative consultant, designer, and scenario writer for The Sands of Time.
King Sharaman of Persia and his son, known only as the Prince, pass through India en route to Azad and conquer a city with the aid of the local Maharajah's traitorous Vizier. During the battle the Prince seeks to win honour and glory in his first battle and heads straight to the Maharajah's treasure vaults, where he discovers the mythical Sands of Time safely contained within their Hourglass and the Dagger of Time, which he quickly learns can turn back time a short amount. When the Prince presents the dagger to his father, the traitorous Vizier demands it as payment, but is refused by King Sharaman. The Persians then continue on their journey to Azad with the wealth of prisoners taken from the Maharajah, among them the Maharajah's beautiful daughter, Princess Farah. In Azad, the Vizier, now in the service of King Sharaman, tricks the Prince into using the Dagger to release the Sands of Time from the Hourglass. A horrific sandstorm engulfs the kingdom and the Sands of Time turn all the occupants of the palace into monsters. Only the Prince, Farah, and the Vizier remain unchanged due to their possessions; a dagger, a medallion, and a staff, respectively. Amid the catastrophe, the Vizier demands the dagger from the Prince, who refuses and manages to escape. The Prince soon teams up with Farah in an attempt to return the Sands of Time to the Hourglass, which the Vizier moves to the top of the Tower of Dawn. As they progress through the palace the pair are constantly waylaid by Sand Monsters (including a sand-possessed King Sharaman) and the deadly network of traps set in motion in the hopes of killing the creatures. The Prince becomes steadily more worn until his princely armor is mere shreds and his body covered in bloody wounds. While initially the Prince does not trust Farah because of the Persians' mistreatment of her, the two begin to grow closer as time goes on After a terrific battle in the ascent of the Tower of Dawn, they reach the Hourglass and are about to complete their mission when the Prince hesitates, suddenly suspicious of what Farah's motives really are. Before Farah can convince the Prince otherwise, the Vizier confronts the pair and uses his magical powers to trap Farah and the Prince in a tomb. As they wait to die in the tomb Farah tells the Prince, who similarly reveals his claustrophobia, a story she had never told anyone before, about a time when she was little, when her mother told her about a secret magic word which would help her escape anything that scared her: "Kakolookia". As soon as the Prince repeats the word, as if by magic, the Prince finds himself in a mysterious tunnel which winds down into a dreamlike bathhouse that resembles the magic fountains that the Prince earlier used to increase his health. There he meets Farah inviting him to join her bath; as they bathe, the Prince and Farah finally make love and find comfort in each other amid their perilous situation. When the Prince awakens afterwards, he finds himself back in the tomb and discovers that the magical cavern was just a dream, but he believed that Farah had shared it as well. However Farah, the Dagger, and his sword are gone, leaving him with only Farah's medallion to protect him from the Sands of Time. The Prince, having found a new sword which destroys the sand monsters on contact, pursues and catches up to Farah once more atop the Tower of Dawn, which he must climb from the outside. When the Prince finally reaches the top, he finds Farah being overwhelmed by the sand monsters and she dangles over a cliff by the Dagger, while the Prince grab the blade; and Farah, realizing that the Prince will die to save her, instead sacrifices herself and lets go of the Dagger; and true to the game's prophecy "if you want to live, die in love" she falls to her death in the Hourglass room below. The Prince then tries to use the dagger to save her, but finds the sand-tanks empty since Farah had used them all. Enraged by his lover's death, the Prince uses the Dagger to massacre the last of the sand monsters in the tower and descends to weep over Farah's body. As the Prince mourns, the Vizier emerges from the shadows and offers the Prince a partnership in his evil plan, promising him eternal life; however the Prince angrily refuses because those he loved had died, and before the Vizier can stop him, the Prince drives the Dagger of Time into the Hourglass, rewinding time to the night before the invasion of the Maharajah's kingdom. The Prince awakens, still with the Dagger of Time, and secretly finds his way to Farah's bedroom, where he tells her the whole story, which she does not remember as it had not happened yet. However, the Vizier discovers the Prince, and fearing his planned treachery already revealed, attempts to kill both Farah and the Prince, telling that he suffered from consumption and would die in any event and that his plan was to cure his imminent death with eternal life. In the ensuing battle the Prince kills the Vizier. He then returns the Dagger of Time to Farah, who asks why the Prince invented such an unbelievable story to prove the Vizier's treachery. The Prince then kisses Farah, hoping she'll remember; but she rebuffs his advance, and so the Prince uses the dagger to erase the kiss, and instead he falsely tells her that it was just a story. But when Farah asks the Prince his name, he replies, "Just call me Kakolookia", before departing, leaving Farah amazed.
| Audio | Subtitles | Interface | |
|---|---|---|---|
| Russian | ✓ | ✓ | |
| English | ✓ | ✓ | |
| German | ✓ | ✓ | |
| French | ✓ | ✓ |
Lollo ✨️
4
Usually, this genre isn't my type, but I loved the idea of the dagger! It made the game even more fun to play. I literally played it in its entirety during Christmas. I couldn't put it down.
The story is stripped down to the bone but the gameplay results quite diversified and never repetitive. I had a great time going through the castle and seeing what challenge was waiting for me. I liked spending time in that "world".
It's definitely a game worth to be played even 20 years after its release. I can't wait to play the others and for the remake to came out!
NMZHD
2
You can see and feel the amount of passion & Creativity that went into making this game.
The level design and puzzles are soooo freaking good.
Platforming is in another level of its own.
The only thing that is kinda outdated is combat.
The story is good too.
But in the end the balance between combat+puzzles+platforming & story is so well done!
Peak gaming
Visually the game did age, but mostly in terms of character and enemy models, environment, and art design; on the other hand, they still hold up well and are aesthetically pleasing.
Narrative is not complex and does take a back seat for a good chunk of the game, but it picks up at the end with a good twist and a satisfying conclusion. The bread and butter is, of course, the banter and growing relationship the prince has with secondary character Farah, as well as moments when the prince is talking to himself. Banter is well written and constantly references previous conversations the characters have, which I found enjoyable. The antagonist, on the other hand, is not good, an evil caricature that doesn't impress even at the end.
Gameplay is the highlight that aged rather well for the most part. Parkour is enjoyable with great level design that, besides a few moments, is easy to read and doesn't get old. Puzzles are mostly timing and parkour-based, with a few exceptions that are complicated at first but easy to figure out. The time manipulation mechanic is an interesting addition and proves to be quite useful in both parkour and combat.
Speaking of combat, although the moveset and loop are well made, the enemies you fight can be frustrating. The frustrating part stems from bad design; the enemies teleport constantly right in front of you in groups, making it hard to freely move around, but the kicker is that bigger enemy types love to knock you down without allowing you to make a move, starting to pummel you one by one, which can be comedic at times. In addition to all that, Farah often is in battles with you, which sadly can die, causing a game over.
In addition, the soundtrack is rather good, doing a good job of bringing the feel of 9th-century Persia quite well.
To sum up, all things considered, The Sands of Time is still an enjoyable adventure that is worth playing at atleast once. It has good writing and enjoyable parkour that is unique to this series, but it definitely needs a remake, which I hope we finally will get next year.